The "Lord" and "Lady" of riddles:
What is the connection between the Taiwanese word for 麵包 and the English word for 夥伴?
And what do both of these words have to do with "Lady" and "Lord"?
Saturday 29 January 2011
RIDDLE No.5
Vegetarianism Riddle
吃素的人吃/喝什麼牛, 什麼雞, 什麼羊, 什麼馬, 什麼魚, 什麼猴, 什麼鼠, 什麼豬? …
(8 answers, each 2 or 3 characters, though other variations perhaps possible.)
[p.s. this is "environmental vegetarianism", therefore not 牛奶 or 雞蛋, i.e. no animal products]
[p.p.s. no 素雞 or anything like that]
for an example of what is sought:
if it asked for “dragon”, the answer might be 龍眼or龍鬚菜
吃素的人吃/喝什麼牛, 什麼雞, 什麼羊, 什麼馬, 什麼魚, 什麼猴, 什麼鼠, 什麼豬? …
(8 answers, each 2 or 3 characters, though other variations perhaps possible.)
[p.s. this is "environmental vegetarianism", therefore not 牛奶 or 雞蛋, i.e. no animal products]
[p.p.s. no 素雞 or anything like that]
for an example of what is sought:
if it asked for “dragon”, the answer might be 龍眼or龍鬚菜
Thursday 27 January 2011
recent food pics
out and about for cycle trips, and amcham (here) and Global Times articles (here)
so lots of food photos for JBB recently
such as this possible chapter title page for Taipei City:
grilled tofu stall in Sanchong Night Market:
and baked sweet potoato vendor, outside Liuzhangli MRT Station, Taipei City:
a pig-ear chef in Dihua Street "south-north provisions market":
a peanut vendor in Taipei's Wanhua District:
and while looking for New Year delicacies at Luzhou Market, some women buying "lucky red underwear":
so lots of food photos for JBB recently
such as this possible chapter title page for Taipei City:
grilled tofu stall in Sanchong Night Market:
and baked sweet potoato vendor, outside Liuzhangli MRT Station, Taipei City:
a pig-ear chef in Dihua Street "south-north provisions market":
a peanut vendor in Taipei's Wanhua District:
and while looking for New Year delicacies at Luzhou Market, some women buying "lucky red underwear":
new verse
As night falls
I am disturbed by your screaming
as night falls,
but more by the silences
that punctuate your sleep-lapped, mare-tipped dreams, and
seeking congress with your wide-eyed wisdom,
I whisper that you must believe
the sun will rise on yet another day.
You ask “What if you were I and I were you?”,
but there are no simple questions
only easy answers,
no black or white,
just merging shades of orange, red and violet
and black; a baby knows more than this dying man
of truth and love and freedom, with each birth you further figure out,
each time the night falls quickly from horizon
up, you see the moon’s as high as sun will ever get.
I know you’re hurting, screaming,
waiting in your cave
for the invention of love;
’til then, I’ll tread water in your tears
and whisper that you must believe,
I’ll write “with fondest feelings” in my will,
signed and post-dated once my sanity’s returned.
’Til then, I’ll gently rock you into sleep.
I am disturbed by your screaming
as night falls,
but more by the silences
that punctuate your sleep-lapped, mare-tipped dreams, and
seeking congress with your wide-eyed wisdom,
I whisper that you must believe
the sun will rise on yet another day.
You ask “What if you were I and I were you?”,
but there are no simple questions
only easy answers,
no black or white,
just merging shades of orange, red and violet
and black; a baby knows more than this dying man
of truth and love and freedom, with each birth you further figure out,
each time the night falls quickly from horizon
up, you see the moon’s as high as sun will ever get.
I know you’re hurting, screaming,
waiting in your cave
for the invention of love;
’til then, I’ll tread water in your tears
and whisper that you must believe,
I’ll write “with fondest feelings” in my will,
signed and post-dated once my sanity’s returned.
’Til then, I’ll gently rock you into sleep.
Monday 17 January 2011
Saisiyat aboriginal dancing
Dancing the Nights Away
– Joining Taiwan’s Saisiyat ethnic minority for a three-day religious festival
my second piece for GT (http://life.globaltimes.cn/life/2011-01/612864.html), though it used a different headline and, indeed a different photo of a different ethnicity dancing in a different location at a different time of the day
According to the legend of the Saisiyat people living in the mountains of Taiwan's Hsinchu and Miaoli counties, their ancestors accidentally exterminated a tribe of dwarf people from whom they had learned hunting, farming, brewing and other skills. To atone for this deed, at the full moon in the tenth lunar month every second year, they invite the spirits of this lost tribe to a three-day festival of singing, dancing, traditional foods and drinking their home-brewed millet wine. The Global Times recently went to find out more.
The 14 extant ethnic groups of Taiwan Aborigines comprise less than 2 percent of the island's total population, yet over four centuries' migration of Han-Chinese and the resulting social and political dominance, each has managed to preserve its identity, language and traditions.
One such tradition is the Pasta'ai (Dwarf Spirit Festival) of the approximately 5,000 Saisiyat people. It is held biennially in their home villages in the Nanzhuang Township of Miaoli County and Wufeng Township of Hsinchu County in the Xueshan Mountain Range of northwest Taiwan.
For decades it was a little-known, almost secretive event, but recently it has opened up to the outside world. And although at times this might look like just a booze-up, visitors are reminded that it is a religious rite and are asked to be respectful and well behaved. Immediately after having arrived, for example, locals and outsiders alike must call at a makeshift altar. Here, for a small cash donation, a sacred silver leaf is tied around their forehead or upper arm (and another around any camera or recording equipment).
Visitors may then enter the festival ground, but, for now, only Saisiyat tribe members may join in the dancing. Wearing self-made hand-stitched vests and other garments in the tribe's distinctive red-and-white colors, dancers link arms in long lines and perform a swaying backward-and-forward movement. This is designed to accentuate the movement of the rear, thereby creating a percussive rhythm on the "buttock bells" hung on the small of their backs. All the time the performers sing of their sorrow and gratitude to the spirits, and appeal for forgiveness.
Wiping out the dwarf people – said to measure just three feet tall – was not intentional, they chant. According to oral tradition, passed down from generation to generation in this three-day event, the tragedy occurred after just such a party as this.
Originally invited in gratitude for teaching the Saisiyat to hunt and farm, the Ta'ai, as the dwarves were known, had to cross a rushing river to attend their neighbors' annual harvest festival. Renowned for their singing and dancing as well as their warfare and magic arts, the Ta'ai were also infamous for their womanizing. Pregnancies often followed their visit, but the Saisiyat were too afraid to do anything about it.
Except on one occasion, when a young Saisiyat warrior, seeking revenge for the sullied reputation of his sister, sawed a notch from the log bridge used by the Ta'ai when returning home. His plan was too successful, and all but an elderly couple of dwarves were killed; the Saisiyat have been singing and dancing in atonement since.
For the first few hours each evening as the local Aborigines dance, outsiders watch, listen, take photos, purchase snacks and, above all, toast – and are toasted – with xiao-mi jiu (millet wine).
This fermented millet drink is of low strength (usually around 4 percent to 5 percent alcohol) but may be pepped up with grain alcohol. It is produced by the locals and bears no government-approved label denoting ingredients and strength, so visitors are advised to be cautious. Purchasing a bottle or two is recommended, however, as the hospitable Saisiyat constantly share from their own, and not to return the favor would be seen as rude. Many of the stalls selling the home brew provide free samples, so it is possible to choose a pleasantly fragrant version that is hopefully not too strong.
Foods are sold at the same stalls that surround the dance field, and at impromptu restaurants erected in one or two side alleys. Slate-roasted "boar" – likely just pork but possibly locally reared – and more exotic meats such pigeon or other small birds, plus a range of unusual high-altitude vegetables not found in city markets, attract particular attention. Sampling mountain fare has become popular with Taiwan's largely urban population over the last decade or two.
Indeed, the interest of the majority Han Chinese community in all things Aboriginal has mushroomed since the end of martial law in 1987 ushered in a new era of pluralist culture.
Moreover, when the island moved to a five-day working week in the late 1990s, citizens suddenly had the opportunity on long weekends to explore places and cultures they had hitherto only seen in television documentaries and travel programs.
Perhaps the opening up of the Pasta'ai to non-Saisiyat visitors should be seen in this context. And for those with sufficient time, participation in the event can be combined with walking in the nearby hills, visiting the Buddhist cave temples on neighboring Shitoushan (Lion's Head Mountain), or browsing the historic Hakka community of Beipu.
Staying in a local minsu (homestay) is a good way to learn more about the traditional community and Taiwan's Aboriginal culture. In particular, one can learn about the original anito spirit worship of the Saisiyat people, and how they view these traditions today after conversion, like most of Taiwan's Aborigines, to Christianity by Western missionaries.
Many younger revelers bring tents, however, or simply crash out on spare ground within walking distance of the festival site. This is mainly because the hours of dancing and drinking (alcohol is served by cup and ladle to the performers so they don't even need to break step) have taken their toll. At daylight, those still on their feet may stop dancing and find a place to sleep. But only until night falls again, when the Ta'ai spirits reappear and must, once again, be appeased – with more wine, dance and song.
– Joining Taiwan’s Saisiyat ethnic minority for a three-day religious festival
my second piece for GT (http://life.globaltimes.cn/life/2011-01/612864.html), though it used a different headline and, indeed a different photo of a different ethnicity dancing in a different location at a different time of the day
According to the legend of the Saisiyat people living in the mountains of Taiwan's Hsinchu and Miaoli counties, their ancestors accidentally exterminated a tribe of dwarf people from whom they had learned hunting, farming, brewing and other skills. To atone for this deed, at the full moon in the tenth lunar month every second year, they invite the spirits of this lost tribe to a three-day festival of singing, dancing, traditional foods and drinking their home-brewed millet wine. The Global Times recently went to find out more.
The 14 extant ethnic groups of Taiwan Aborigines comprise less than 2 percent of the island's total population, yet over four centuries' migration of Han-Chinese and the resulting social and political dominance, each has managed to preserve its identity, language and traditions.
One such tradition is the Pasta'ai (Dwarf Spirit Festival) of the approximately 5,000 Saisiyat people. It is held biennially in their home villages in the Nanzhuang Township of Miaoli County and Wufeng Township of Hsinchu County in the Xueshan Mountain Range of northwest Taiwan.
For decades it was a little-known, almost secretive event, but recently it has opened up to the outside world. And although at times this might look like just a booze-up, visitors are reminded that it is a religious rite and are asked to be respectful and well behaved. Immediately after having arrived, for example, locals and outsiders alike must call at a makeshift altar. Here, for a small cash donation, a sacred silver leaf is tied around their forehead or upper arm (and another around any camera or recording equipment).
Visitors may then enter the festival ground, but, for now, only Saisiyat tribe members may join in the dancing. Wearing self-made hand-stitched vests and other garments in the tribe's distinctive red-and-white colors, dancers link arms in long lines and perform a swaying backward-and-forward movement. This is designed to accentuate the movement of the rear, thereby creating a percussive rhythm on the "buttock bells" hung on the small of their backs. All the time the performers sing of their sorrow and gratitude to the spirits, and appeal for forgiveness.
Wiping out the dwarf people – said to measure just three feet tall – was not intentional, they chant. According to oral tradition, passed down from generation to generation in this three-day event, the tragedy occurred after just such a party as this.
Originally invited in gratitude for teaching the Saisiyat to hunt and farm, the Ta'ai, as the dwarves were known, had to cross a rushing river to attend their neighbors' annual harvest festival. Renowned for their singing and dancing as well as their warfare and magic arts, the Ta'ai were also infamous for their womanizing. Pregnancies often followed their visit, but the Saisiyat were too afraid to do anything about it.
Except on one occasion, when a young Saisiyat warrior, seeking revenge for the sullied reputation of his sister, sawed a notch from the log bridge used by the Ta'ai when returning home. His plan was too successful, and all but an elderly couple of dwarves were killed; the Saisiyat have been singing and dancing in atonement since.
For the first few hours each evening as the local Aborigines dance, outsiders watch, listen, take photos, purchase snacks and, above all, toast – and are toasted – with xiao-mi jiu (millet wine).
This fermented millet drink is of low strength (usually around 4 percent to 5 percent alcohol) but may be pepped up with grain alcohol. It is produced by the locals and bears no government-approved label denoting ingredients and strength, so visitors are advised to be cautious. Purchasing a bottle or two is recommended, however, as the hospitable Saisiyat constantly share from their own, and not to return the favor would be seen as rude. Many of the stalls selling the home brew provide free samples, so it is possible to choose a pleasantly fragrant version that is hopefully not too strong.
Foods are sold at the same stalls that surround the dance field, and at impromptu restaurants erected in one or two side alleys. Slate-roasted "boar" – likely just pork but possibly locally reared – and more exotic meats such pigeon or other small birds, plus a range of unusual high-altitude vegetables not found in city markets, attract particular attention. Sampling mountain fare has become popular with Taiwan's largely urban population over the last decade or two.
Indeed, the interest of the majority Han Chinese community in all things Aboriginal has mushroomed since the end of martial law in 1987 ushered in a new era of pluralist culture.
Moreover, when the island moved to a five-day working week in the late 1990s, citizens suddenly had the opportunity on long weekends to explore places and cultures they had hitherto only seen in television documentaries and travel programs.
Perhaps the opening up of the Pasta'ai to non-Saisiyat visitors should be seen in this context. And for those with sufficient time, participation in the event can be combined with walking in the nearby hills, visiting the Buddhist cave temples on neighboring Shitoushan (Lion's Head Mountain), or browsing the historic Hakka community of Beipu.
Staying in a local minsu (homestay) is a good way to learn more about the traditional community and Taiwan's Aboriginal culture. In particular, one can learn about the original anito spirit worship of the Saisiyat people, and how they view these traditions today after conversion, like most of Taiwan's Aborigines, to Christianity by Western missionaries.
Many younger revelers bring tents, however, or simply crash out on spare ground within walking distance of the festival site. This is mainly because the hours of dancing and drinking (alcohol is served by cup and ladle to the performers so they don't even need to break step) have taken their toll. At daylight, those still on their feet may stop dancing and find a place to sleep. But only until night falls again, when the Ta'ai spirits reappear and must, once again, be appeased – with more wine, dance and song.
Tuesday 11 January 2011
new verse
last night i broke open an egg and found a double yolk,
which hasn't happened in a long time (if ever)
broke open the egg and found a poem too:
雙黃房
很晚
很累
但是肚子有點餓
想炒個蛋炒飯
沒有米
但有馬鈴薯
好
炒個蛋炒馬鈴薯
蒸薯
爆香
破蛋
哇妳說
就像我們
雙黃蛋在雙黃房
which hasn't happened in a long time (if ever)
broke open the egg and found a poem too:
雙黃房
很晚
很累
但是肚子有點餓
想炒個蛋炒飯
沒有米
但有馬鈴薯
好
炒個蛋炒馬鈴薯
蒸薯
爆香
破蛋
哇妳說
就像我們
雙黃蛋在雙黃房
Sunday 9 January 2011
new (light) verse
Being marked Mark, I am eponymous,
with Mark Anthony, I'm homonymous,
Marc Chagall and I are paronymous,
with check off, I'm just synonymous.
Unrecorded makes me antonymous,
unremarkable, and hence anonymous,
Yours sincerely, The Shark,
I sign off, pseudonymous.
with Mark Anthony, I'm homonymous,
Marc Chagall and I are paronymous,
with check off, I'm just synonymous.
Unrecorded makes me antonymous,
unremarkable, and hence anonymous,
Yours sincerely, The Shark,
I sign off, pseudonymous.
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